Drawing Ancient Pottery

My grade 8 class were beginning to investigate the area of pottery and ceramics for the first time and as part of that process we collected quite a few photographs of works from ancient cultures. We were looking particular at the various forms and the use of pattern and decoration. This also gave them an opportunity to use this subject matter as a basis for a drawing and to look at rendering three-dimensional forms through the use of ellipses as well as light and shade toning. The students selected a coloured piece of paper and began there drawing by imagining that their piece of pottery was on the verge of being discovered; as if the wind had blown away the desert sands to reveal it. To achieve this impression they folded their paper in half diagonally to provide a centre axis for the pot, and then began by drawing one side then the other. We had previously undertaken some exercises in ellipse drawing, so the students were quite familiar in using this technique to achieve a three dimensional quality. Their drawing was further enhanced by the use of white pencil as a contrast to the graphite pencil to produce a strong result.

The Artists Bag

An interesting sculptural project that was undertaken by my grade 11 students was to create ‘an artist bag’. This would not be a functional bag, but a creative and expressive bag that would be influenced by specific culture in which the artist had a personal connection. Of course, with such a project there was plenty of discussion and pre-planning, but once the final concept had been arrived upon it was down to getting on with the construction. Each student was given a standard file box as a starting point (this meant that the scale and format would be consistent), which could be cut with a knife or details added using hot glue. It was terrific that the students went bold and adventurous with this task adding materials such as plaster bandage, rocks, metal, fabric and paper mache. The most difficult was generally the strap of the bag, but as it wasn’t a functional bag and didn’t need to take any weight there remained plenty of creative options available. Set with the challenge of creating an open ended sculptural form, the students were able to achieve some brilliant results.

Illustrative Drawing

My grade 11 drawing class were very keen to extend their skills with an illustrative style drawing. This would be a detailed and planned illustration based around the theme of ‘fame and celebrety’, which would give them plenty of scope to focus on someone who they particular like as the subject matter. They brainstormed some possible imagery, then followed his up with some visual research. Photoshop is terrific for planning this type of drawing, as it allows the students to experiment with scale and composition. Eventually, they had their reference source and were able to begin their drawing on ‘Cresant’ illustration board. They blocked in the initial outlines then set about adding the detail from observation (no grids were used). Emphasis was placed upon using different grades of graphite pencil to achieve light and shade to create a bold realistic image. Needless to say, several hours were spent in create some highly polished results, but I must say that the enthusiasm of the students never waned.

Extruded Forms

An easy way to adapt a two dimensional shape into a three dimensional form is to ‘extrude it’. This means literally lifting the image vertically from the paper to create a floating shape that can be bridged with a selected material. Of course, this is easier said than done and in sculptural terms it requires some major structural considerations. My grade 9 sculpture class was given such a challenge when they were asked to build an extruded sculpture based upon two combined and unrelated shapes. They began with a scale drawing, which was used to form the two cardboard ends. The gap between the ends was bridged with strips of foam core (a stiff cardboard material). The sides of the sculpture was then wrapped with a thin polished metal sheeting which was beautiful to look at but difficult to use as it had to be cut with tin snips. Hot glue guns that were used to join the initial foam core bridging and the metal. Through patient bending, folding and gluing the metal sheeting was wrapped around the form and carefully cleaned to remove excess glue and finger marks. The ends of the sculpture were then covered with then covered with a colourful plastic material, which also needed to be cut to match the shaped. The final sculpture was then tilted vertically and mounted upon a white baseboard. The final sculptures were very impressive, but it considering the simplicity of the forms they did require quite a number structural skills, so I was particularly proud of their achievements.

Ladder sculpture

This was a very successful project undertaken by my grade 10 Sculpture class. This class was smaller than usual, which allowed scope for a slightly bolder project. The task involved looking at the element of ‘balance’ in sculpture and the way in which some works emphasize this through dynamic composition. We set about the task by thinking about the process of a person climbing a ladder and the balance required for this simple action. We though about of all the things that could happen on the way up and unusual circumstances that might occur. Consideration to human proportion and body movement in the planning, but essentially the aim was for the sculpture to provide a narrative. The students began by creating a ladder with heavy gauge wire, which they soldered together. The figure was then created using thin wire then covered with plaster bandage leaving contact points of metal that could be soldered to the wire. When the structure was holding firm they then painted the whole piece black before burnishing it with bronze paint to provide the metallic finish. The final challenge was to drill holes at the desired angle into a wooden base to allow the sculpture to stand on an angle. The finished pieces caused quite a reaction when they were displayed around the school.

Overlapping Images

My grade 10 painting class was investigating the works of Cubist and Futurist painters and was set a task of visually deconstructing an object from home in a drawing, then reconstructing the images to form a composition for a painting. The aim wasn’t particularly to focus on details, but more the shapes, both positive and negative, that made up the form. With various images overlapping, the students then chose a simple colour scheme to differentiate the various shapes. Each student took their own approach to the painting style; some painted with flat areas of colour while others were more tonal. The only insistence was that the colours were mixed and not straight from the bottle. The end results were visually strong and certainly showed an alternative approach toward observation drawing.

Wire Portraits

I was introducing my grade 10 Sculpture class to the use of the wire and solder as a sculptural medium by having them produce a continuous line portrait of someone they admired. Of course this initially involved them producing a continuous line pencil drawing first, which for most was a challenge in itself. However with this complete we enlarged it on the photocopier to produce a template that they could lay out their bent wire. While they generally tried to keep their wire to one continuous length, this was not always possible and it was clear that some simplification and adjustment would need to be made. Fortunately each student was able to have there own soldering iron for this task and they successfully achieved their goal quite quickly, with some really nice results. Legs were added to each corners of the final piece and they were finally mounted onto cardboard for display.

Reflections and Distortion

In order to provide my grade 9 painting class a different perspective on their world I set them a little task to produce a small self portrait as seen through the viewpoint of a reflection from a spoon. This really became an exercise in observation as they looked deeply into what was effectively a small concave or convex mirror to provide a somewhat distorted image of themselves. To highlight the shininess of the spoon they were also asked to paint directly onto black paper, which most had never done before. While the students tended to provide a stylised version of their portrait, their handling of the overall form and the background was interesting and they were pleased with the results.

Wire Figures in Action

In my year 9 sculpture class we were investigating the human form and in particular the ability of the artist to capture those unique moments when the body is in action. As many of the students had not worked toward a three-dimensional form before, we decided to use some cheap light gauge wire to create a small maquette of a human figure as a trial run for a larger sculpture. As we were also looking at the form of the body, the aim was to try to make them proportionally correct. Using a small pair of plyers they created some very creative poses that included athletes, circus performers and rock guitarists that stood less than 10 cm tall. I particularly like the ones that had achieved a sense of tension in their pose. This comes at the moment in which energy is tranferred or expelled during the moment of action.

Painting the Human Skull

My painting class was investigating colour mixing and in particular the use of ‘neutrals’ (black, white and grey). So they were given a task of drawing a human skull; three of which were generously loaned to us by our science department (the plastic variety of course). As a sideline we talked about the uniformity of most skulls compared to the uniqueness of the human face. Many students had never held a skull in the hands let alone drawn one before, so there was a macabre fascination in the exercise. After creating their initial drawing on buff sheet of paper they mixed black and white paint to shape and follow the contours of the skeletal form, paying attention to interplay of light and shade.

Drawing Marathon

Our school was fortunate enough to have a visiting artist for a day of life drawing. She had brought with her a colleague who had a terrific collection of vintage clothing from various eras, which she would change into throughout the day in order to provide just a little more contrast in the subject matter. All of the Art classes were invited to attend a session throughout the day, which resulted in some large groups who were of wide variety of ages. The session created great interest within the school community, culminating in a packed final session after school of interesting students and parents attending. The ‘drawing marathon’ resulted in pages and pages of fabulous drawings and a greater appreciation of the observational study from all who attended. Ranging from frantic 30-second poses through to more relaxed 20-minute poses, each drawing provided its own set of unique challenges, yet each was up to the task. The day was tremendous success and will no doubt become regular Visual Arts event.